The frequencies on the 550A aren’t “logical,” in the sense that they’re not spaced a certain musical or frequency interval apart. We decided to do a shootout of the analog API 550a vs UAD and Waves emulations to see how they stacked up against each other. Few equalizers enjoy the respect and admiration of the coveted API 550A. Based on the 1967 classic, the API 560 10-Band graphic equalizer features precision filtering and high headroom, ideal for signal enhancement and room tuning. Furthermore, the reciprocal, mirror-image boost/cut response of the proportional Q design makes it easy to “undo” settings. When mixing heavy punchy rock drums, they deliver the real sonic character of the hardware.”, “I use the API plugins as master plugins on the entire mix in order to make it crispier and get more punch.”, “The API EQs are great for tonal shaping, and you don’t have to be shy about cranking the knobs around. They all have “that API sound,” but it’s important to choose the right tool for the job. Check out Waves Specials, with discounts on popular plugins, bundles and new products in both Native & SoundGrid formats. 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However, the 550B foregoes the 50 Hz – 15 kHz band-limit filter. Of course, sometimes you do want surgical, problem-solving or salvaging-oriented EQs, but that’s not what the APIs are about. Modeled on the late 1960’s legends, the API 550 EQ plugins include two uniquely powerful equalizer plugin components: The API 550a and API 550b equalizers. 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The 550B delivers the same kind of sweetening ability as the 550A, but because of its extra band and 28 potential frequencies, it’s the better choice of the two when your main concern is problem … We’ve mapped out the differences between these classic designs so you can make musical decisions about when to use which EQ. The UAD API 500 Series EQ Collection also includes an emulation of the API 560 Graphic EQ — both of which offer highly accurate recreations of the original devices. With 172 stellar plugins and more than 400 components, Mercury features more Waves in one package than ever before! This content is not available in your country. Frequencies for the low band are 50, 100, 200, 300, and 400 Hz; for the mids, 0.4, 0.8, 1.5, 3, and 5 kHz; and for the highs, 5, 7, 10, 12.5, and 15 kHz. And since boost and cut characteristics are identical, previous actions can be easily undone. Similarly, you can cut the low-mids of the overheads to make more room for the drums, without leaving what sounds like a “hole” in the overheads’ response. Which Compressor Plugin Should I Choose for My Mix? The 550A was API’s first EQ model, which featured: Three EQ bands with seven selectable frequencies Reverse Vocals – 5 EASY Steps | Producer Tricks, Mix Better on Headphones: Nx Ocean Way Nashville Plugin, Getting Started: Nx Ocean Way Headphone Mixing Plugin. For the style of music I make, an API board would be right at home here at my casa. Note that 400 Hz, the “mud” frequency, and 5 kHz, the “articulation” frequency, are duplicated on different bands. Low Mid: 75, 150, 180, 240, 500, 700, 1000 Hz. The interaction of the Q with a boost/cut means that the change in Q makes more of an apparent difference than a dB change. The 550A has six additional switches: one converts the low band from bell response to a shelf, another does the same for the high band, while a third introduces a broad band-limit filter that reduces response below 50 Hz and above 15 kHz—ideal for working with vinyl. Four plugins are included; three are based on classic API EQ modules, while the fourth emulates the 2500 stereo compressor, which was reviewed in its hardware incarnation in SOS October 2001 ( … Because of this, the sound seems less prone to phase anomalies than conventional EQ designs. The 16 and 20 kHz frequencies in the high band are not frequencies that are even audible to most people, however, remember that these filters are not a “point source” and their skirts extend down into the audible range. Developed in association with API, the API Collection features four precision-modeled plugins based on renowned API equalizer and compressor modules: the API 550A 3-Band EQ, API 550B 4-Band EQ, API 560 Graphic EQ, and API 2500 Stereo Compressor. The reason why these frequencies were chosen is that the engineers behind the design felt they were the most important and useful frequencies for musical applications. API’s EQs do have a distinctive punchy and focused sound, and with high gain settings, the narrower Q tends to focus the part, so it doesn’t conflict with other tracks. From its beginnings in 1968, the API sound has been a favorite of audio engineers. Waves API Collection Waves Chris Lord-Alge Signature Series Waves CLA Classic Compressors ... Roland KC-550 keyboard amp. The API 550B seems like the kind of product a company would create in response to users saying “yeah, I like the 550A, but it could really use four bands instead of three, and more frequency choices.” As with the 550A, the stepped boost/cut controls cover ±12 dB, with the same step amounts. The Differences Explained. The question then becomes will 3 or 5 kHz do the job, and most of the time the answer is “close enough, and besides, I like the sound.” (If you need more frequency choices, then you’ll want to switch to the 550B.) API Welde TWELFTH E This standa material, de vertical, cyli welded stor internal pre (internal pre plates), but additional re only to tank and to tank maximum d This standa adequate sa storage of p liquid produ establish a is intended size tank m intended to ordering, fa to prohibit P purchasing other than t www.api.org Stan As the industry rapidly embraced the sonic quality of the 550A, it quickly found its way into many custom console designs by Frank DeMedio and other leading engineers. These EQs are precise, visual, and pretty user friendly. If you really crank up the gain, you can definitely “push” any sound (snare, piano, brass, strings, etc.) Again, the EQ topology features proportional Q (as well as the polarity and analog switches); however, the ±12 dB boost/cut controls are continuously-variable sliders, with 0.1 dB resolution. They all have “that API sound,” but it’s important to choose the right tool for the job. Before comparing these API EQ plugins, we need to explore what makes them stand out from conventional EQ designs. API 550 or API 560? The entire API Collection is on sale all the month of June 2016 for $199. Using PowerChute, you can: • Preserve work in progress during a power outage by putting your computer into Hibernate mode. It’s also worth noting that there are valid reasons to put a number of these EQs in series. If you want a boost around, say, 3.7 kHz, that’s not possible. Watch Weezna demonstrate one of the best plugins for vocals (in his option). At low gains, the results are similar. Based on API's original 550 from the late '60s, the API 550b is a continuation of the EQ that played a major role in the history of music recording, but with an additional filter band and several new frequencies. You don’t require a narrow, “surgical” notch for this, rather a gentle de-emphasis. Please enable JavaScript in your browser in order to make this website functional. Like the 550A, the 550B has polarity, in/out, and analog switches, and you can switch the response of the highest and lowest bands between a bell and shelf response. CHECK ME OUT ON PATREON!http://www.patreon.com/musictechhelpguy One exception is the duplication at 10 and 12.5 kHz in the hi mid and high bands. This means that the Q is widest at low gains and narrowest at high gains. API EQs have long been considered “musical”—which is not exactly a technical term. The API 550A appeared earlier than the 550B, but they have many similarities. Often, these frequencies and amount of available boost or cut deliver what’s needed, and there’s no need to look further. They all have “that API sound,” but it’s important to choose the right tool for the job. This may sound like the APIs have properties that are similar to the gentle tone-shaping qualities of Pultec-type EQs. While it doesn’t offer much in the way of extra features, it still sounds great! The Differences Explained . In the late 60s, API’s Saul Walker designed “proportional Q” circuitry, where resonance (Q) responds to gain. Conversely, if you want a more “forward” sound from your EQ, then a somewhat increased resonance provides that effect. https://www.bosch-home.com.au/productlist/cooking-baking/micro You may find this content helpful: To be able to view it. The API EQs are great for cutting part of the spectrum in one instrument to make room for other instruments. For example, if you want to bring up particular frequency ranges of drum overheads, you can make them more prominent without them “sticking out” compared to the main drum sound. However, the technology itself gives us some clues as to why they’re regarded as such. Polarity, and pretty user friendly Digital EQs are considered “ musical waves api 550 vs 560 is. Be on sale all the month of June 2016 for $ 79 this month from June to. The SSL 's and I think Ive used the E channel maybe twice clip level ; Re-issue of 1967 550... 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